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Nils Petter Molvaer - Hamada (2009) [Jazz][mp3 320][h33t][schon55]

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Nils Petter Molvaer - Hamada 

Release Date  May 05, 2009 

Label  Emarcy

Bitrate: 320 kbps



“The word “Hamada” is taken from the Arabian language and means dead, inanimately, congealed, lapsed. 
It is used as the geological term for a stone or rock desert with no or only little sand.  Instead it is filled with
edgy stones or rocks as a result of physical erosion.  For vehicles or dromedaries it is impossible to cross hamadas. 
Hamadas make 70% of all deserts on the Earth – the best known is probably the Sahara.  Due to the rocky bedrock
there are hardly any water reserves in a hamada and if it rains in the wadis the water-impermeable ground turns the
rainfall into dangerous to cross streams.  Although hamadas are hostile to life areas and only a very few wood and
thistle plants can survive they still conceal a tremendous beauty and appeal.” ~ sharedmusic.net



It's been four years since Norwegian trumpeter/Nu Jazz progenitor Nils Petter Molvær released a studio album (
excepting Re-Vision ( Sula, 2008 ), a collection of film music ).  When he performed at Punkt '07 in Kristiansand,
Norway, it was one of his final performances with his longstanding group of guitarist Eivind Aarset, live sampler Jan
Bang, turntablist DJ Strangefruit and drummer Rune Arnesen.  Aarset and Bang return on Hamada, but it's a significant
change for Molvær, representing a number of directional shifts and a sharp contrast to er ( Sula, 2005 ).

 

Molvær's music is cinematic in scope; soundtracks to the imagination, his albums are best experienced as an
integrated whole, although there are standout features throughout these ten original tracks.  "Exhumation"
opens with a lone trumpet; a plaintive and darkly lyrical call enhanced by just a touch of reverb.  Segueing into
"Sabkah"—where soft percussion and Aarset's tremolo'd guitar recall Ry Cooder's folkloric soundtrack to
Wim Wenders' Paris, Texas ( 1984 ) in spirit, if not in specificity—the mood gradually becomes more atmospheric,
leading into the ethereal "Icy Altitude." Gentle, with the unique, non-guitaristic soundscapes for which
Aarset has become known, its paradox of ambient beauty and spare melancholy does nothing to prepare for the harsher
realms of "Friction."



One of two tracks to feature a full group—drummer Audun Kleive creating a busy pulse far distanced from the
techno/hip hop rhythms of earlier Molvær releases—"Friction" speaks with aggression and anger new
to the trumpeter's canon.  Heavily processed trumpet blends with sharply distorted, noise-laden guitar textures to
create an anarchism that settles down, with great respite, into "Monocline," where Jan Bang's field recordings
of children and other processed sounds from the street lead into a Gamelan-like passage, as Molvær's economical
melodies provide a clear focus for the rich aural landscape around him.



"Soft Moon Shine" builds inevitably, with Aarset's bass lines and the overall textures recalling trumpeter Jon
Hassell's dark, sensual space on Last night the moon came dropping its clothes in the street ( ECM, 2009 ). 
Molvær's debt to Hassell has never been so clear; still, Molvær's distinctive tone—processed or
not—and innate melodicism remain unmistakable.



"Cruel Attitude" best represents Hamada's paradigm shift.  With Kleive's thundering pulse, bassist Audun
Erlien's throbbing bass and Aarset's chaotic waves of sound working in concert with Molvær's equally hard-hitting
and aggravated lines, it descends into a maelstrom of sound before settling into a near-anthemic coda with unexpected
progressive rock overtones, reminiscent of King Crimson's "Coda: I Have a Dream," from The ConstruKction of
Light ( DGM Live, 2000 ).  Another solo track leads to the more atmospheric "Anticline," reprising elements
from "Monocline" to end the album on a more tranquil and optimistic note.



Hamada sounds unlike anything Molvær has done before, though it would be impossible for him to have achieved it
without traveling the path he has since the groundbreaking Khmer ( ECM, 1997 ).   Stunning growth and unexpected
directional shifts make Hamada one of Molvær's most moving and challenging records to date.  ~ All About Jazz. 




Nils Petter Molvaer - Hamada Tracks:

01  Exhumation

02  Sabkah

03  Icy Altitude

04  Friction

05  Monocline

06  Soft Moon Shine

07  Monocline Revisited

08  Cruel Altitude

09  Lahar

10  Anticline

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